I think I’ve talked about this before, but I used to have a very anxious relationship with the blank page. That is, I wanted all the ideas to be perfect in my head before committing them to paper. And this meant that I was always late with my papers in high school and college. And of course, that just caused more anxiety for me. It was awful.
I found this image that captures that feeling for me, chained and raw, unable to do what I needed to do and unable to walk away from it too.

So it’s kind of a funny thing that I’m writing a screenplay now.
Now there are a million reasons for my journey from paralysis to something like fluidity of motion. The relevant piece for now, though, has to do with some teachers I had a very long time ago. And I was led to that realization by some of my actual screenplay research.
The main character in my script is utterly closed off to his emotions. He’s consumed by his work and sees everything else in the world as a distraction. My writing partner and I think he’s a great character, but we’re also left with the problem of trying to express this fellow’s internal life. How do we show what he’s feeling when he doesn’t share any of it with the characters around him?
Another interesting aspect of the character is that he was something of a prodigy. He’d read all of Charles Dickens by the time he was 12 years old. And he has a Shakespearean quote for every event that happens during his day. The sad thing, though, is that for a long stretch, his life was a real disappointment. It isn’t until the last third of his life (the part we’re writing about in the script) that he actually becomes who he was meant to be all along.
What does this have to do with games? Learning? Teaching? Anything?
Well, in thinking about this character, I remembered a book that my high school English teachers gave me. It’s this one, “Caligari’s Cabinet and other Grand Illusions” –

I knew this book contained an example of something I could use to express our character’s internal life and his history. It’s this wonderful inscription that my teachers wrote on the first page:

It’s a little hard to read (it has been 29 years after all), but the inscription says:
“May the future give you as much as you have contributed to us.”
I remember when my teachers gave me this book – I was so grateful and even then I felt like they were the ones who’d given me so much, not the other way around. I didn’t fell like I’d given them anything at all really….
So now we’re including a couple of scenes in our script where our main character looks at his old books, and his books will have inscriptions very much like the one in my book. Hopefully, these scenes will help to show what our character’s teachers thought of him; what they hoped for him; and the set of great expectations they gave him to carry through his life. This device will help us express some of what’s going on inside our character, even when he doesn’t talk about it.
And if our movie gets made (and the chances are realistically a gazillion to one…), I hope that these scenes can be my quiet way of thanking the teachers who gave me hope that there was something bigger and better out in the world and that I deserved to someday be part of it.
I don’t envy today’s teachers with all the work they have to do around standards and testing, etc. I can’t imagine that many of them (if any at all) went into teaching so they could help kids become better test-takers.
So it’s important, especially in this educational environment, to remember that the greatest things a teacher can give students are hope and the confidence to turn those hopes into reality. Whether teachers use books or lectures or cool learning games as their tools doesn’t seem to matter all that much. The key piece is that the best teachers give kids the confidence to fill the pages of their lives with who they’re meant to be.